chasseurseul:

ronweasley:

the way it should be, famous songs from animated movies performed in the language of the place the stories are set in or the character’s mother tongue {listen}

i. hellfire (the hunchback of notre dame) - french; ii. once upon a december (anastasia) - russian; iii. a whole new world (aladdin) - arabic; iv. bare necessities (the jungle book) - hindi; v. i see the light (tangled) - german; vi. can you feel the love tonight? (the lion king) - zulu; vii. i’ve got no strings (pinocchio) - italian; viii. i won’t say i’m in love (hercules) - greek; ix. it’s tough to be a god (the road to el dorado) - spanish; x. under the sea (the little mermaid) - danish; xi. i’ll make a man out of you (mulan) - mandarin; xii. when you believe (the prince of egypt) - hebrew

(Source: turnerings)

unslain:

what i if told you

you the read first line wrong

same with the second

bencumber:

It’s strange to be 36 and still explaining the weirdness of my name.

earthnation:

will u still love me when im no longer young and ok looking

And you are not alone in this
As brothers we will stand and we’ll hold your hand

(Source: boobsinger)

Under the current ‘tyranny of slenderness’ women are forbidden to become large or massive; they must take up as little space as possible. The very contours of a woman’s body takes on as she matures - the fuller breasts and rounded hips - have become distateful. The body by which a woman feels herself judged and which by rigorous discipline she must try to assume is the body of early adolescence, slight and unformed, a body lacking flesh or substance, a body in whose very contours the image of immaturity has been inscribed. The requirement that a woman maintain a smooth and hairless skin carries further the theme of inexperience, for an infantilized face must accompany her infantilized body, a face that never ages or furrows its brow in thought. The face of the ideally feminine woman must never display the marks of character, wisdom, and experience that we so admire in men. —Sandra Lee Bartky, Foucault, Femininity, and the Modernization of Patriarchal Power (via sociophilia)

(x)

(Source: bbatchs)

“Everything about filmmaking is incredibly weird, and there’s nothing natural about watching yourself on the big screen or hearing your voice. It’s that same thing that you feel when you watch yourself on a video camera and you hate the sound of your voice, it’s that times 800.”

Anything else is unthinkable. 

gilbertnorrell:

“There are many men in London, you know, who, some from shyness, some from misanthropy, have no wish for the company of their fellows. Yet they are not averse to comfortable chairs and the latest periodicals. It is for the convenience of these that the Diogenes Club was started, and it now contains the most unsociable and unclubable men in town. No member is permitted to take the least notice of any other one. Save in the Stranger’s Room, no talking is, under any circumstances, allowed, and three offences, if brought to the notice of the committee, render the talker liable to expulsion. My brother was one of the founders, and I have myself found it a very soothing atmosphere.”

The Greek Interpreter, Sir Arthur Conan Doyle

In the end there doesn’t have to be anyone who understands you. There just has to be someone who wants to. —Robert Brault (via masochisticbeauty)

(Source: larmoyante)

Following the coronation of her daughter, Elizabeth, as queen, Anne was venerated as a martyr and heroine of the English Reformation, particularly through the works of John Foxe. Over the centuries, she has inspired or been mentioned in numerous artistic and cultural works. Anne has been called “the most influential and important queen consort England has ever had”, since she provided the occasion for Henry VIII to annul his marriage to Catherine of Aragon, and declare his independence from Rome. (text/quote credit)

(Source: mabelroses)

I am a Stark, I can be brave

(Source: sansasnark)